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"A Quiet Night In" is the second episode of British dark comedy anthology series ''Inside No. 9''. It first aired on 12 February 2014 on BBC Two. Written by Reece Shearsmith and Steve Pemberton, it stars the writers as a pair of hapless burglars attempting to break into the large, modernist house of a couple—played by Denis Lawson and Oona Chaplin—to steal a painting. Once the burglars make it into the house, they encounter obstacle after obstacle, while the lovers, unaware of the burglars' presence, argue. The episode progresses almost entirely without dialogue, relying instead on physical comedy and slapstick, though more sinister elements are present in the plot. In addition to Pemberton, Shearsmith, Lawson and Chaplin, "A Quiet Night In" stars Joyce Veheary and Kayvan Novak. Shearsmith and Pemberton had originally considered including a dialogue-free segment in their television series ''Psychoville'', but ultimately did not; they found the format of ''Inside No. 9'' appropriate for revisiting the idea. Both journalists and those involved with the episode's production commented on the casting of Chaplin, granddaughter of silent film star Charlie Chaplin, in an almost entirely dialogue-free episode, though her casting was not a deliberate homage. Critics generally responded positively to the episode, and a particularly laudatory review by David Chater was published in ''The Times'', prompting a complaint from a reader who found the episode more traumatic than comedic. On its first airing, "A Quiet Night In" was watched by 940,000 viewers (4.8% of the market). ==Production== Writers Steve Pemberton and Reece Shearsmith, who had previously co-written and starred in ''The League of Gentlemen'' and ''Psychoville'', took inspiration for ''Inside No. 9'' from "David and Maureen", episode 4 of the first series of ''Psychoville'', which was in turn inspired by Alfred Hitchcock's ''Rope''. "David and Maureen" took place entirely in a single room, and was filmed in only two shots. At the same time, the concept of ''Inside No. 9'' was a "reaction" to ''Psychoville'', with Shearsmith saying that "we'd been so involved with labyrinthine over-arcing, we thought it would be nice to do six different stories with a complete new house of people each week. That's appealing, because as a viewer you might not like this story, but you've got a different one next week."〔 〕 As an anthology series with horror themes, ''Inside No. 9'' also pays homage to ''Tales of the Unexpected'', ''The Twilight Zone'' and ''Alfred Hitchcock Presents''. The format of ''Inside No. 9'' allowed Pemberton and Shearsmith to explore ideas which are less practical for other approaches to storytelling, such as the possibility of a script with little dialogue. Prior to writing "A Quiet Night In", Shearsmith had spoken with directors, including Ben Wheatley, about the possibility of producing television without speech. The directors had expressed doubts, Shearsmith explained, because the success of dialogue-free television comes down entirely to the visuals and filming.〔 "A Quiet Night In" was inspired by an idea Shearsmith and Pemberton had discussed for ''Psychoville''.〔 The writers had considered omitting dialogue from a ten-minute section in an episode,〔 or even from the whole episode.〔 Pemberton explained that this was not possible as there were "too many good jokes" which they wanted to fit into the sequence. This episode, like "A Quiet Night In", dealt with a break-in.〔 ''Inside No. 9'', for Pemberton, offered the "perfect vehicle" for revisiting the possibility of dialogue-free television.〔 Shearsmith said that, at the start of the writing process, the pair did not have the intention of scripting the entire episode without dialogue, and that it would be "great" to have ten minutes without it. However, Pemberton said it was easier to write once they had entered the correct "mindset".〔 Once half an episode had been written, Pemberton said, the pair thought "we've just got to keep going".〔 The only dialogue in the episode is right at the end; "what a great thing to get to the end and just have one line of dialogue", Pemberton suggested, comparing the concept to that of the Mel Brooks film ''Silent Movie''.〔 The story of "A Quiet Night In" revolves around a break-in, which, combined with an argument between the people living in the house, means that the characters all have a reason to be silent.〔〔〔 At 18 pages of stage directions, the script contained every joke in the episode, an exercise in planning atypical for Shearsmith and Pemberton.〔 The story contains multiple "reveals"; Pemberton explained that the he and Shearsmith "hope there's an 'oh my God' moment. There is always a desire to wrong-foot the viewer. That's what you strive to do".〔 Pemberton said that writing for a silent episode "makes you inventive in a completely different way".〔 The episode was filmed at the White Lodge, in Oxted, Surrey. The episode's burglars are played by the writers; the pair were quoted as saying "we didn't want to dominate (series ), so we sometimes play fairly minor characters. But we know that, say, if we were writing something about two burglars, we'd be the burglars."〔 Pemberton suggested that a partial influence for the episode may have been children's television series ''Brum''. He said that the two of them had "always wanted to be a couple of robbers in that, so that might be where the idea came from".〔 Both writers agreed it was "great to perform", and Pemberton described the resulting episode by saying that it "worked out better than we could have dreamed".〔 As the format of ''Inside No. 9'' requires new characters each week, the writers were able to attract actors who may have been unwilling to commit to an entire series.〔 In addition to Pemberton and Shearsmith, "A Quiet Night In" starred Denis Lawson, Joyce Veheary, Oona Chaplin and Kayvan Novak. Pemberton commented on the appropriateness of casting Chaplin, granddaughter of silent film star Charlie Chaplin, in an episode without dialogue. Shearsmith stressed that the episode should not be considered a silent film in the same way as Charlie Chaplin's, elsewhere saying that the casting was "almost an accident but maybe a little nod". Bruce Dessau, writing in ''The Independent'', described the casting choice as "a satisfying nod to silent cinema". Both Oona Chaplin and ''Inside No. 9'' executive producer Jon Plowman stressed, however, that there was no significance in the casting. Chaplin also said that her character was very unlike herself, explaining that the "big boobs, the heels, the blonde wig ... freed () up amazingly". 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「A Quiet Night In」の詳細全文を読む スポンサード リンク
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